Written in the author's clear conversational style, with ample illustrations and visual analogies, this book features software agnostic tutorials and "cookbook recipes" for each phase of postaudio processing. The author begins with a section of FAQs from readers of the author's magazine column. After summarizing the significant points of audio theory, the author describes the preliminaries of setting up a post studio. From there he details every aspect of postproduction - from getting the tracks into the computer, to 'fixing and mixing,' to dealing with details of compression and streaming. The companion audio CD contains diagnostics, tutorial tracks, and demonstrations.
Audio Postproduction for Digital Video helps you make your soundtracks as good as your pictures with this compendium of professional audio techniques that can be adapted to desktop post. Specializing in sound after the shoot, this book features many practical examples, cookbook recipes, and tutorials.
Customer Reviews
Average Customer Review
Excellent, January 11, 2007
By
T. Brehm (Sunny Florida)
I was impressed from the beginning with the content of this book. It has been a great help in my recent graduate projects. This is one I will keep on the shelf for reference.
If you have only one audio produciton book in your library..., January 3, 2007
By
G. L. Stone (Santa Clara)
This book is simply the best book on post-production audio out there. I have over a decade of experience mixing live sound and some formal training in post production, but Rose gets to the real nuts and bolts of the day-to-day sweetening of sound that I was able to apply his ideas the same day I read a chapter on EQ. I have read so many books on sound where authors get into all the details, but fail to give hands on practical advice. Rose has two unique things going for him in this book: the included CD that gives A/B comparisons of various audio sweetening and processing techniques and the cookbook format at the end of each chapter. Try any one of these "recipes" and you will instantly get results and be able to solve various problems and massively improve your soundtrack.
He gets technical in spots going into the physics of sound, studio design, and other minutia but the non-geeks you can usually skip these sections and side-bars. For those who just want to fix things they can jump to the end of each chapter and use the cookbook/troubleshooting sections. I can't recommend this book enough. If you are serious about filmmaking, you can't be without this book.
Bigger and Better than it Seems, August 23, 2004
By
Pi Ware (Los Angeles, CA)
Audio Postproduction for Digital Video
By Jay Rose
Review by Pi Ware
Don't listen to the title. It's bigger than the title. The "Digital Video" part of Audio Postproduction for Digital Video restricts the scope of this classic Jay Rose text. Rose's book goes far beyond DV, in fact, it starts with an explanation of what sound is on the molecular level and then takes you not just through audio postproduction for TV, but to techniques specific to movie production, techniques that are entirely independent of the format you originate on. Audio Postproduction for Digital Video is top-notch. It's an excellent, text-book quality manual, a soup-to-nuts guide on how to deal with sound in postproduction.
Jay Rose never gives you solutions that are applicable only to specific Digital Audio Workstations, he arms you with knowledge you can use in any platform or program. The book is an education in sound and, together with the numerous photos and diagrams (and Rose's good sense of humor), it's a liberation from the dry prose of most manuals on postproduction.
Rose teaches you from the ground up what sound is, what good sound is, and how to make bad sound better. He doesn't just stop at good writing, however, he illustrates important points with an audio CD included in the back of the book. Together with the CD, the text guides you through importing audio into the computer, editing dialogue, Do It Yourself Foley and ADR, working with filters, noise reduction techniques, pitch and time changes, the sound mix, and even, if you're so inclined, designing, constructing and wiring your own postproduction audio facility.
Though postproduction changes with every new advance in technology, Audio Postproduction for Digital Video stays current by focusing on strategy, not software. Rose avoids giving specific keystroke instructions in specific programs, but instead explains common solutions to common problems using common tools. As he says in his introduction, "You should be able to use these pages for a long time."
Anyone considering directing a short or feature, anyone who wants to be even nominally involved in the sound design of their film, and, of course, anyone interested in working in audio postproduction, would do extremely well to pick up a copy of this classic Jay Rose text.
Treasure Chest of Information in an Easy read format!, May 9, 2003
By
Justin Stuempfle (Athens, OH United States)
This book in fantastic. The author's voice and style make this not only easy to read but a joy to read as well. There are little tips and tidbits in each chapter that will make a good audio guy great and a great audio guy better. I recommend this book to anyone in the audio post world.
Very good book from a helpful intelligent person, May 8, 2003
By
T. Mead (Brooklyn, NY United States)
I decided to buy this book because I had used the forum on the DV.com website for information before, and Jay Rose's comments there had proven to be spot-on and well-informed.
This book contains a thorough examination of all the factors which contribute to the quality of post-production audio. The level of information includes the spectrum from basic to advanced, but through Mr. Rose's clear explanations the advanced information should not go over the heads of the reader.
