. Coming from Miramax Films in December 2003,
stars Jude Law, Nicole Kidman, Renée Zellweger, Natalie Portman, Giovanni Ribisi and Philip Seymour Hoffman. Directed by Academy Award®-winner Anthony Minghella who also wrote the screenplay,
is based on Charles Frazier's best-selling Civil War novel of the same name and tells the story of Inman (Law), a wounded confederate soldier who is on a perilous journey home to his mountain community, hoping to reunite with his pre-war sweetheart, Ada (Kidman). In his absence, Ada struggles to survive, and revive her father's farm with the help of intrepid young drifter Ruby (Zellweger).
The Newmarket Pictorial Moviebook is annotated with illustrations, movie stills, production design sketches keyed to the screenplay, costume designs, sidebars, and commentary from the cast and crew.
Customer Reviews
Average Customer Review
Tracing the odyssey of the movie , September 15, 2004
By
Midwest Book Review (Oregon, WI USA)
Avid fans of Charles Frazier's classic novel "Cold Mountain" novel who have followed its translation from book to film now have a keepsake coffee table edition celebrating the move, which is much more than a collection of movie photos. The novel "Cold Mountain" is the story of a pilgrimage, and in the same tone compliments Cold Mountain: The Journey From Book To Film, tracing the odyssey of the movie created by an English directory and his international team of filmmakers: a six-year odyssey. Yes, there are over 185 photos by a number of photographers - but there are also extensive references on pre-production, post-production, and analyses of how the film was created, adding a depth and dimension which elevates Cold Mountain: The Journey From Book To Film far beyond the status of mere coffee table embellishment.
A deserter with very bad luck, July 6, 2004
By
(Virginia, USA)
As a Southern historian I liked the book very much. However, I was and am confused about the hospital where the book began. It seemed to be Chimborazzo in Richmond as he was wounded at Petersburg. However, I thought later that it may have been in central North Carolina as he was traveling west toward the mountains. That was never explained and the map inside the cover helped very little. I felt the book dragged somewhat at times, but overall was excellent.
I also saw the movie and was pleasantly surprised that it was very good and stayed close to the book. I always have problems with movies and found two glaring errors and one significant omission. Nicole Kidman was dressed as a cross between a Gibson Girl of the 1890's and Miss Kitty of Gunsmoke. I never understand why they can't do the ladies' clothing correctly for the 1860's. Renee' Zelwiger was miscast as Ruby. She needed to be much bigger, fatter, and more country. Renee' comes off as a city girl trying to pass for a country woman. They should have had Jude Law go back and kill the guy with the women after he got loose from the chain gang, as happened in the book. Finally, the band was playing "Sittin' On Top Of The World". That song was not written until 1930. So much for historical research.
This Book Redeems the Screenplay!, February 7, 2004
By
I am a Cold MOuntain fan! I love the book! When I saw the movie, I was somewhat disappointed. Don't get me wrong; it is a great film, but it is so different from the book. When I rated the screenplay, I gave it three stars (out of five), because I felt it "violated" the book in so many ways. This book (Journey from Book to Film), however "redeems" the screenplay, because it explains and illustrates the process of adapting a book to film, and helps the reader understand why the movie "must" be different from the book. This is an absolutely beautiful and essential book for anyone who cares aqbout how the book became a film, and the end result. It is a lovely and well-done book. Highly recommended. By the way, you will want to read the novel again after seeing the movie and reading this book!
great film book, January 1, 2004
By Emma L. Mitchell (Hye, Texas United States)
This is a beatiful book on the making of my second favorite film of the year, the first being The Return of the King. The book expolres the novel's journey fromm book to srcipt to screen and has over 180 lavish pictures and illstrations. I have not bought any other of these books from Newsmarket becasuse it did not really not what to expect. What i got was a grand expolarartion of what it takes to make a grand film like this. The Music was great in the movie and there is extenisve pages on the making of the soundtrack as well as 32 pages of beatuiful black and white photos taken on the set. If you love movies buy this book, it doesn't even really matter if you have seen the movie or not the book well just make you want to see it a lot more.
A Journey I'm Ready To Take, December 26, 2003
By Sebastien Pharand (Orléans, Ontario, Canada)
Anthony Minghella has become today's poet of images. His films are lyrical and very emotional. They are beautiful, always thoughtful and very touching. That's why I counted my lucky stars when I learned that Minghella would next adapt one of the best and most beautiful books I've ever read, Charles Frazier's Cold Mountain.
Could Mountain: The Journey from Book to Film takes you on the road that everyone involved with this film walked down. First, we meet Minghella and Frazier, as they both discuss the writing of the book and of the script. Then, we meet the producers, the set desingers, the cinematographer, the costume desingers, the actors, the editor... Everyone who played a major role in the making of this film is presented in this book.
I haven't yet see the film and cannot say if the greatness of the book translated well when it was taken to the silver screen. But judging from the interviews and the pictures in this film, I have to say that I don't think I'll be disappointed. The pictures in this book are beautiful and very attractive; you can already tell that this will be one heck of a film to look at (the pictures alone are the kind of visual candy you can't pry yourself away from). And then, the book also reprinted parts of Minghella's screenplay. And like we saw in his other films, The English Patient and The Talented Mr Ripley, Minghella really has a knack for writing engaging and touching dialogue.
Reading this book only made me want to see the film even more. It's rare that you are allowed to partake in this kind of journey, following a film's progress from point A to point Z. But this book brings you right into the heart of the film's production, discussing all the problems the crew faced, and telling us little annecdotes about the making of this film. Cold Mountain might not end up being the greatest film ever made (although I do wish it is), but I can tell, judging by this book, that it will be a great and very important film.