In this exciting, full-color book, Stephen Pite creates a collaborative forum aimed at engaging readers in digital design while offering a point of entry into a process in which innovation and communication are being continually refined. Central to the book is a series of progressively challenging projects, ranging from traditional print to sophisticated websites, interactive CD-ROMs and multimedia, and 3-D motion graphics. Heavily illustrated with compelling work by students enrolled in Graphic Design programs across the U.S., The Digital Designer takes readers step-by-step through the design process with unprecedented attention to developing and refining the design concept, as well as the execution strategy. Narrative solicited directly from Graphic Design instructors accompanies illustrations of high-quality student work, helping to explain and reinforce important digital design principles and methods. The result is a book that empowers 21st century Graphic Designers, enabling them to work effectively across a wide range of fully digital and exponentially expansive media as they promote goods and services and build links between present and future.
Customer Reviews
Average Customer Review
The other books, January 9, 2006
By
Green Tara DesignUnfortunatly I arrived at Virginia Commonwealth University's graphic design program after Phil Meggs had passed away. His legacy still lives on. Rob Carter on the other hand has been my professor. He is a great man who pushes his students into experimenting and becoming comfortable with their own styles of design. He is by no means a "stuffy" guy. I have some of their books and I don't have one problem with them at all.
By the way, this book is a good one!
A Very Useful Book, December 17, 2002
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The Digital Designer is a quality publication , plus it covers enough ground to be useful in all of the classes we teach, so students going through the program will probably keep it and use it in several classes.
Your text is written in a friendly, accessible tone, and is a relief from some of the stuffy "Design is the Center of the Universe" books out there. As an example stuffy books are anything by Stephen Heller, Phil Meggs, or Rob Carter.
Their books are really good, of course, but frankly too focused on defining design as an official profession. Their books to me always seem like they are stiffly trying to define design as a formal, codified, yet creative event.
You seem to have achieved that friendly informative tone with ease. Kudos to you on your well resolved text. Frankly, this book is more useful to our program than any Rob Carter book, because of its accessibility.