Thomas A. Crowell (
Editorial Reviews
Product Description:* You have an idea you want to pitch to a production company; how do you safeguard your concept?
* There's a painting in the background of your independent film; is it necessary to clear the rights?
* The screenplay you and a friend wrote gets optioned; how do you split the proceeds fairly?
* How do you get a script to popular Hollywood actors or deal with their agents?
Find quick answers to these and hundreds of other questions in The Pocket Lawyer for Film and Video, the next best thing to having an entertainment attorney at your beck and call. Written by a TV-producer-turned-entertainment-lawyer, this no-nonsense reference provides fast answers in plain English: no law degree required! The Pocket Lawyer is designed to help producers reduce legal costs by providing the vital information needed to make informed decisions on the legal aspects of film, video, and TV productions.
Film and video production is a litigation lighting rod: actors get hurt, copyrights are infringed, and contracts are broken. Big-budget producers have lawyers on retainer, but many independent filmmakers are left legally exposed. Arm yourself with the practical advice in this book. You will not only avoid common pitfalls, but become empowered in your daily work. Too many otherwise competent producers turn over every aspect of the deal negotiations to their lawyers and agents. This book explains the principal deals common to every production, putting producers back in the co-pilot seat with their representatives.
The format is carefully designed for quick reference, so you get the answers you need, fast. Features include:
* Clause Companion: explains the meaning and impact of typical contract clauses, taking the headache out of reading them.
* F.A.Qs: instantly answers the most commonly asked legal questions.
* Warnings: alerts you to critical areas and common mistakes.
* Pro-Tips: advice on unions, escrow accounts, etc. for producers who want to distribute their video widely.
* Avoid legal pitfalls with this quick reference guide: get instant answers
* Written in plain English for filmmakers, not lawyers
* Three books in one: a handy manual on film contracts, a step-by-step guide to critical legal issues on and off the set, and a quick reference on copyright and intellectual property issues
Customer Reviews
Average Customer Review
Great Resource!, October 8, 2009
By
D. Atchison (LA)
This book takes a different approach than most entertainment law books. Instead of simply throwing a bunch of boilerplate contracts into the book, this author actually walks you through the legal timeline of a project. It's kind of like Entertainment Law for Dummies and it's very engaging and easy to read. A great reference guide as well.
Pure and simple...it's great., February 14, 2009
By
Aaron J. Hawk (Denver, CO)
I was so hesitant about this book. I was thinkig "Pocket Lawyer?" Great, like a mini-dictionary that the Starbucks writer crowd uses and still attept to look cool with.
No, I was wrong. The information in this book is not only necessary, but vital. If you want to be a producer, this is the no-nonsense bible you've been looking for. It's straight forward and clear. The language isn't dense. Rather, it's helpful.
This is a book that can help you make the transition from, "Producering" to PRODUCER. It honestly is the real deal.
Finally...a book I can use, February 13, 2009
By
A. Spiegel (Los Angeles)
This book is a great help and a fantastic reference. I refer to this book all the time. I usually can just open up the book to find the answer to whatever legal question I'm looking for.
My copy is all beat up and dog eared.. I never read it straight through, just skipped around to the stuff I want to know about. If I have a question, I know the answer is in there. It's more than just law, It's a guide to be in this business.
Plus, it's easy to understand. The copyright section helped me out the most.
I have produced things before, but life would've been easier with this book. They should require this book in film classes.
Amazingly useful information, December 17, 2008
By
NewEraPictures.com (New York)
Wow! I didn't realize how much I didn't know about the business until I got this book. It's organized in an easy to understand format and offers tips for avoiding costly pitfalls. It truly is like having a lawyer in your pocket without the hefty fees. Totally recommended.
A must have for anyone in the entertainment industry, June 22, 2008
By
S. Moore-WilliamsonThis book helps anyone who wants to do or is doing anything in entertainment be on top of their game. I carry this book with me, along with my bible (that says a lot about the book right there!) I read it every chance I get and learn so much more as a Writer/Producer, about the legalities and expectations of each member of a production team. This book is necessary for a business minded person. Crowell educates the readers in the basics of entertainment law, however he does not use language that only an attorney or judge can comprehend. He breaks concepts down in bite size pieces. I have gained a better understanding of what needs to happen in pre, pro. and post production of a film and will make sure that the many areas in film making get the attention and documentation that it needs because of this book.
