A major change has taken place at dance clubs worldwide: the advent of the VJ. Once the term referred to the video jockey who introduced music videos on MTV, but now it defines an artist who creates and mixes video, live and synced to music, in clubs or at concerts. This book is an in-depth look at the artists at the forefront of this amazing audio-visual experience. The book combines how-to, showcase and reference elements, opening with a series of articles on contextual and historical issues. The central section showcases the work of a wide selection of international VJs, and the last chapter covers equipment (hardware and software) and typical stage set-ups (explaining equipment, the use of space, how to create an environment to suit an audience, and more) along with supplementary guidelines and tips on how to master a performance.
Customer Reviews
Average Customer Review
A beautiful book overflowing with the energy and passion of the artists, November 13, 2008
By
Michael A. Duvernois (Minneapolis, MN United States)
This is clearly a work inspired by a love of the art of VJing. The whole look and feel of the project is filled with the motion and animation of the artform itself. Clearly I'd recommend this book to those interested in VJing and live video performance.
Very nice!, November 4, 2008
By
Rodrigo M. TerraI recommend, everyone who wants to know a little about vjing should buy this book!
Great overview of VJ culture, April 24, 2008
By
Galfano Guido (Cesena, Italy)
The book is well written and is a great overview of the VJ culture, the DVD is full of excerpts form live perfomances by the major artist around, interviews and CGI videos. A must-have for VJS!
stunning insightful book, July 22, 2007
By
VolatileCycleJust finished reading this book and have to say its amazing.
very insightful cross section of the Vj community. Much to be learnt about the wide range of VJs out there.
It has a good mix between articles on specific issues, looking at the world of VJs, and technical articles explaining how established VJs have their setup.
The DVD has been produced to a very high standard, and like the book lots of informative content is on it.
The book looks beautiful with all the UV pages, and so much design work has gone into it.
anyone who has not got this book yet is missing out big time, recommended to the highest degree.
Show Pony for the VJ scene, March 23, 2007
By
Katrina Black (Perth, Western Australia)
This book was several years in the making, and I admire the dedication of those involved in getting it to print.
Unfortunately, that means that in such a rapidly-moving field, it's a bit out of date. Several of the acts featured have disappeared off the radar by now, and there are some quite glaring omissions - such as the EyeWash DVDs, Resolume software (currently used by around a third of the world's top VJ's) and uh... PC's. This wouldn't bother me as much if not for the tagline on the back cover which touts 'full details of the hardware and software available for VJing are provided'. I'd suggest that 'examples of hardware and software available for Mac-based VJing are provided'.
If you get the impression that you need a pair of Mac Powerbooks to VJ from the setups and info given in this book, don't worry - that's not the case. The scene featured in this book is just one aspect of international VJ Culture, and it's been curated from a particularly Mac perspective.
It's a graphic-design triumph - you couldn't ask for more beautiful, slick presentation. The background of Faulkner and other members of D-Fuse as print-based graphic designers with decades of experience between them really shows. Personally, I find the layering and shiny panels a bit distracting and hard to read at one sitting, and I feel like I should put on gloves every time I pick it up as the slightest touch leaves great grubby fingerprints on some of the shinier pages. But it's a stunning, jaw-dropping book, which is just what the scene needed.
To be honest, I don't see this as a book to read so much as to show-off. VJing is a very visual artform, so what better way to communicate what it's all about than in gorgeous, awe-inspiring imagery? Even if it's a bit of a struggle to actually sit and read it cover-to-cover, it's the PERFECT coffee-table book. You couldn't ask for a better showcase for potential clients, newbie wannabes or... well... your Mum... to show what VJing is and why you're dedicating yourself to it despite the bad pay, the expensive equipment, the long hours, etc etc.
A friend of ours runs a Band House, where touring members of bands stay when they're performing in her town. She's a VJ, and so in a good position to plug 'have you thought about using visuals?' on a daily basis. She said this book's been the perfect way to do that - she just leaves a copy lying around and the muso's thumb through it over their breakfast.
The DVD is a huge improvement over that provided with Spinrad's 'the VJ Book'. There's a load of great material on it, and most of it's of an equivalent standard to the imagery in the book - the glamour, high-end of the VJ scene. Positively wow-worthy, and the most impressive DVD collection of live VJing I've seen to date. Some of my favourite parts though were cut very short - eg just a minute or two long - and then there's the bizarrely out of place inclusion of long swathes of content by Elliott Earls, most of which has little to do with the VJ scene - eg a long mockumentary called the Saranay Hotel. Given that there was so much other great VJ content that could have gone on there, I can't work out why Earls' doco was included. It's got nothing to do with VJing or audio-visual art, and the quality is so vastly different to everything else on the DVD.
Like Spinrad's VJ Book before it, I've bought multiple copies of this book/DVD to give away whenever I can afford it. I take a copy to meetings with new clients, and I lend copies to newbie VJs that come along to our Plug n Play nights. The real problem is keeping a copy for myself, as everyone wants to take it home.
The VJ scene is really still very young - maybe equivalent to the DJ scene of two or three decades ago - and we need some impressive look-at-me Superstar VJ's to get the public to take notice, so that the rest of us can get on with doing what we do with hopefully a bit more attention being paid to what's going on behind the scenes on the screens.
I think this book is probably the single biggest factor so far in that process of getting the public to take notice. It's a lush, visually stunning celebration of a new phenomenon. Thanks so much to Faulkner and the rest of D-Fuse for giving this to the scene. Every VJ should own a copy. Or three.
VJ kattyb, VJzoo.com
